Sono felice di annunciare che il 22 giugno i miei ultimi due EP, FORGERY e PLUCKS, saranno disponibili.
Siamo felici di annunciare i prossimi concerti, con Emy Bernecoli al violino ed Elia Andrea Corazza al pianoforte. Musiche di autori italiani: Vivaldi, Vitali, Respighi, Casella, Rota e Corazza.
- Giovedì 27 settembre 2018, h 19. Steinway Piano Gallery Miami, 4104 Ponce De Leon Blvd, Coral Gables. Organizzato dalla Società Dante Alighieri, Miami, 300 Aragon Ave, suite 250, Coral Gables, FL.
- Martedì 2 ottobre, h. 18. Italian Cultural Institute @ Embassy of Italy, 3000 Whitehaven St, NW, Washington DC.
- Venerdì 5 ottobre, h. 16. Department of Performing Arts, Georgetown University, 108 Davis Performing Arts Center, 27th and O Streets, NW, Washington DC
- Giovedì 11 ottobre h. 12. Coolidge Auditorium, Library of Congress. Organizzato da The Kluge Center of The Library of Congress.
Con il sostegno di:
Prima esecuzione del Trio per violino, violoncello e fagotto di Elia Andrea Corazza (Elijax)
violino: Emy Bernecoli
violoncello: Walter Vestidello
fagotto: Francesco Fontolan
Villa Bolasco, Castelfranco Veneto, 24 settembre 2017.
We are proud to give you the preview of one of the pieces that will be published in our next concept album “Folli Lumi / Lunatic Lights“.
Here is our reinterpretation of the Giga from the Partita no. 2 by Johann Sebastian Bach.
We hope you will enjoy it, and do not hesitate to send us your comments: which author would you like next? Biber, Boccherini, Corelli or… Elijax?
Friday May 5th 2017, 7PM, Haus der Musik im Fruchtkasten, Schillerplatz 1, Stuttgart – Germany-
Duo Bernecoli Corazza – Emy Bernecoli, violin and Elia Andrea Corazza, piano.
The score is available in the critical and first edition through Schott Music at this link.
The Sarabanda for violin and piano
Our musical journey on Italian Colour begins with the Sonata in Re maggiore RV10 by Antonio Vivaldi as transcribed by Ottorino Respighi, a great Italian composer of the Twentieth century and discoverer of ancient music. The program continues with Antonio Vitali’s Ciaccona, a famous masterpiece for violin which has been played by the most important violinist through the ages. This piece is a sequence of variations based on a descending basso ostinato which preserves balance and virtuosity. By Ottorino Respighi we will then play the unedited Sarabanda (1897), a recently rediscovered juvenile composition which is characterized by ancient forms and harmonies. By the same composer, then, the Berceuse, an evoking pastoral lullaby, and the sweet Valse Caressante, a delicate salon composition, both taken from the Six pieces for Violin and Piano (1902). The following Preludio e Danza Siciliana (Sicilian Dance, 1928) by Alfredo Casella are an autograph transcription for violin and piano of the first part of the ballet “La Giara”. The piece is based on Italian folk melodies rendered with virtuoso technique, modern harmonies and lyrical expansion. Again two delicate pieces: A Coralline, a lovable dedication, and Sirventese, a court dance, by Riccardo Pick-Magiagalli, which both incorporate the passionate Italian operatic tradition into light salon compositions. The three-part composition Autumn Suite (2016) by Elia Andrea Corazza combines ancient form and modern melodies. The final Un Diavolo sentimentale (A sentimental devil, 1969) by Nino Rota, a well-known Italian composer of music for the cinema, is an eccentric and sparkling piece based on octatonic scales and augmented fourth, a dissonant interval which, since ancient ages, is called Diabolus in musica.
Sarabanda (German premiere)
Berceuse e Valse Caressante dai Sei Pezzi per violino e pianoforte
Preludio e Danza siciliana da “La Giara”
Elia Andrea Corazza
Out of Sadness
Un diavolo sentimentale